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void-dance:

Many people reach their conclusions about life like lazy school children. They copy the answers from the back of the book without troubling to work out the sum for themselves.
Søren Kierkegaard
Photo by Lauren Greenfield: Amy, sixteen, scrawls on her arm during a history class in San Jose, California, 1999

void-dance:

Many people reach their conclusions about life like lazy school children. They copy the answers from the back of the book without troubling to work out the sum for themselves.

Søren Kierkegaard

Photo by Lauren Greenfield: Amy, sixteen, scrawls on her arm during a history class in San Jose, California, 1999

(via heavenhillgirl)

christiescloset:

cheese + wine

(Source: euo, via airmail)

heckacute:

It’s hard for me not to look at sunsets or mountains and it’s hard for me not to imagine what you’re doing without me. 

(via art-no)

sookie-m:

Kara Neko by Rita Minissi in restraints by Fleet Ilya 

sookie-m:


Kara Neko
 by Rita Minissi in restraints by Fleet Ilya 

(via pussylesqueer)

(Source: slowartday, via kilincs)

methods-of-style:

David Hockney’s studio

methods-of-style:

David Hockney’s studio

(via fatherearth)

(Source: wheniwasacat, via kilincs)

talibayer:

risoprint

talibayer:

risoprint

(via minutie)

untrustyou:

Andrea Resner

(Source: its-nought-real, via crybaby9)

le-plus-beau-des-mensonges:

RODIN & BAUDELAIRE

Illustrations for Charles Baudelaire’s 'Les Fleurs du Mal', 1887-88

Pen and brown ink, brown ink wash, on pages from a copy of the original edition of ‘Les Fleurs du Mal’ (Paris, Poulet-Malassis et de Broise, 1857)

This copy of the original edition of 1857 belonged to the book lover and publisher Paul Gallimard. The architect and art critic Frantz Jourdain used his influence to obtain the commission to illustrate it for Rodin. The brown leather binding was made by Henri Marius Michel. Represented in demi-relief on the front cover, in incised, mosaiced leather, is an ivory skull on a dark green thistle plant.

Rodin, whose fondness for poetry and Baudelaire is well known,worked on this project for barely four months, in late 1887 and early 1888. His line drawings, sometimes heavily shaded, with hatched backgrounds and five washes on Japan paper, heavy with ink and gouache, would subsequently be inserted into the pages. Specially designed for the book or inspired by earlier sketches made for The Gates of Hell, these drawings appeared on the frontispiece and occasionally invaded the poems. (via Musée Rodin)

(via thisivyhouse)

wrpaint:

this journal is so tidy compared to my others

wrpaint:

this journal is so tidy compared to my others

(Source: wtches, via fourteenfortyseven)

cinemasavage:

Black Moon (Dir. Louis Malle, 1974)

cinemasavage:

Black Moon (Dir. Louis Malle, 1974)

s.t.